I didn't speak any of the Kalinga languages. I tried to break the silence by talking to them in Iloko. Fortunately, they understood and spoke the language so we were able to converse for a while. The old woman struck me the most. She was covered in tattoos and I couldn't stop staring at the black dots and lines that swirl around her leathery skin. She didn't seem to mind me staring at them. I've seen numerous Kalinga women covered in tattoos but these were mostly in photos and in the internet. This was my first time to see a tattooed Kalinga woman in the flesh. In person. As she moved, it was almost hypnotic looking at the lines and designs as they follow her every movement.
For weeks and months after that visit in Kalinga, the old woman and her tattoos kept crossing my mind. I started asking myself questions. When did she get the tattoos? Did she get them when she was a child? When she was a teenager? When she was an adult? I started visualizing what she would have looked like as a young woman with those tattoos.
This painting was the result of the visualization. I wanted to put on solid canvas what I imagined what she looked like decades ago. This painting was an attempt to go back in time. At a time in Kalinga when the old woman as a young girl walked the same trail and took shelter in the same shed.
I named the painting after a Bob Dylan song: "Girl from the North Country".
Please see for me if her hair hangs long,
If it rolls and flows all down her breast.
Please see for me if her hair hangs long,
That's the way I remember her best.
"Girl from the North Country"
Acrylic on Canvas
19.5 inches (height) by 23.5 inches (length)
2017
Facebook: The Art of Daniel Ted C. Feliciano
Email: dtedfeliciano@gmail.com
Website: cordilleransun.com